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  • Home
  • About Roswell Reads
    • Roswell Reads History
    • Steering Committee
    • FORL
  • Author Events
    • Fredrik Backman
    • Jennifer Coburn
    • Ron Rash
    • Charles Frazier
    • William Kent Krueger
    • Past Events

The Dutch House By Ann Patchett

 This event took place on January 11, 2021.   Thanks to all those who participated! 


For book purchases/autographed copies contact Bookmiser @ 770-509-5611.   


Purchase your copy of The Dutch House from Bookmiser and receive a bookplate signed by Ann Patchett. 

Book Synopsis

 

At the end of the Second World War, Cyril Conroy combines luck and a  single canny investment to begin an enormous real estate empire,  propelling his family from poverty to enormous wealth. His first order  of business is to buy the Dutch House, a lavish estate in the suburbs  outside of Philadelphia. Meant  as a surprise for his wife, the house sets in motion the undoing of everyone he loves.
The  story is told by Cyril’s son Danny, as he and his older sister, the  brilliantly acerbic and self-assured Maeve, are exiled from the house  where they grew up by their stepmother. The two wealthy siblings are  thrown back into the poverty their parents had escaped from and find  that all they have to count on is one another. It is this unshakeable  bond between them that both saves their lives and thwarts their futures.
Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their  past. Despite every outward sign of success, Danny and Maeve are only  truly comfortable when they’re together. Throughout their lives they  return to the well-worn story of what they’ve lost with humor and rage.  But when at last they’re forced to confront the people who left them  behind, the relationship between an indulged brother and his  ever-protective sister is finally tested.

Book Discussion Questions

 

1. What are the many and varied details of the Dutch house — rooms,  stairways, architectural specifics, furniture, windows and doors, etc.?  What mood or personality does each space or element possess? What is the  complex, overall effect? What might Danny mean when he says, “the house  was the story” or that it was “impossible?”


2. What is the nature of the relationship between Maeve and Danny? What  explains the longevity and power of their support and love for one  another?


3.  What is Cyril Conroy like? How might specific behaviors, routines and  decisions of his have influenced Maeve and Danny? Why was he “always  more comfortable with his tenants than he was the people in his office  or … in his house?” What was it about buildings that he loved so much?


4. What are Fluffy’s various, evolving roles in "The Dutch House?" What is her overall influence on Maeve and Danny?


5. What explains why Elna Conroy abandoned her children? In what ways  might such a profound decision be justified or not? Why, as Maeve  argues, are men who leave their families often judged less harshly?


6. What were the various effects of Elna Conroy leaving her husband and  children? Was it preferable, as Maeve argues, to have spent some years  with her and then lost her or, as Danny experienced, to never have known  her? What are the particular emotional challenges of each experience?


7. What might be the significance of Maeve receiving a box of matches and  instructions for how to light a fire from her mother on her eighth  birthday?


8. When  discussing Maeve’s diabetes, Danny suggests that “the body had all  sorts of means to deal with what it couldn’t understand.” What does this  mean? What is the relationship between physical health and emotional  stress or trauma?


9. In what ways are Sandy and Jocelyn important to the various Conroys?


10. What  are Maeve’s particular strengths and abilities? What are her priorities in life? What might explain her decision to stay at her unchallenging  job or not pursue a committed romantic relationship or family of her own?


11. What forces — familial, social, cultural — might explain why the two  males, Cyril and Danny, are in various ways “excused … from all  responsibility” about the lives and struggles of the girls and women in  the house?


12. What is the source of Andrea’s power? Why is she so bent on using it  against the others —especially the women — in the house? What does she  covet and care about?


13. What is significant about each of the portraits in the Dutch house?


14. Why do Maeve and Danny sit secretly in a car outside of the Dutch house  many times throughout the years after they are exiled from it?


15. Consider the various literary allusions throughout the novel. What is  suggested, for example, by Celeste reading Adrienne Rich’s "Necessities  of Life" when Danny first meets her on a train or by Marilynne  Robinson’s novel "Housekeeping?"


16. What  were the “original disappointments” that Celeste felt about Danny? Why  did her relationship with Maeve begin so well and become so acrimonious?


17. Despite completing medical school, why is Danny drawn so powerfully to  the construction, buying and selling of buildings? What does he mean  when he says he is “at home on a building site?”


18. What does it mean that Maeve and Danny “had made a fetish out of  [their] misfortune, fallen in love with it?" What explains such powerful  attachment to painful experiences and relationships? Why might Danny  not want “to be dislodged from [his] suffering?”


19. Danny  eventually realizes that “after years of living in response to the  past, (he and Maeve) had somehow become miraculously unstuck.” What does  this mean? How did it happen? What explains the “insatiable appetite  for the past” that Maeve and Fluffy shared? How does one determine when  connections to the past are healthy or restrictive?


20. Later in life, sitting outside the Dutch house, Danny realizes that  “the feeling of home” he was experiencing was due not to the house but  “wholly and gratefully” to his sister Maeve. What defines and determines  a feeling of home? What role does a house play or not?. 


21.  What explains the very different responses Maeve and Danny have to their mother’s return?

22. What might it mean that, when confronted with an aged and enraged  Andrea, Danny thinks he “had not been born with an imagination large  enough to encompass this moment?” What’s the role of imagination in  times of trauma or emotional difficulty? What is its relationship to  compassion and empathy? When does imagination become unhealthy illusion?


23. After reuniting, Elna tells Maeve and Danny that when she left she  “knew (they) were going to be fine.” In what ways did they end up fine  or not?


24. Finally, Danny realizes that “the rage (he) carried for (his) mother  exhaled and died. There was no place for it anymore.” What does this  mean? What are other ways to process such anger and emotional pain?


25. What changes and transformations are suggested by May’s buying of the  Dutch House? What might it imply that Danny walks with her through the  darkness to enter it?

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